In this painting, Botticelli adopted the plane decoration in the composition and positioned numerous characters in the proper places. There were totally nine people on the screen from left to right in a row with no overlap and cross and according to their different roles in the painting, they were arranged the appropriate actions. As the protagonist, the goddess Venus was placed a bit later than others. We looked at the past from the right side of the screen to the left: Erotic Zephyrus Seyfert Youluosi just breezed in with a drum cheek and took after the fairy of the earth Crowley. His arrival, made the tree on the right side bend and the fairy Clou Lisi tried to get rid of Zephyrus's catch, but finally she did not escape the Zephyr. Clou Lisi's mouth overflowed the bright flowers, one after another falling. The flowers floating in the flora fee Laura's body formed a beautiful coat, just like the sky, which was a piece of white earth and with the twinkling of an eye was already blossoming flowers full of vitality. "Calendar" had this description: "I am the former Clou Lisi and nowadays, people call me flora." (Suggesting that Clou Lisi who was raped by Zephyrus became the goddess of the forest flora) here in the form of painting, Botticelli depicted O Van Theo J's poetry.
Primavera 1478
In the left, the painting depicted three gods dancing with spring clouds veil, hand in hand in the rise and dance in a happy mood, which could be said the typical female beauty during the Renaissance period. In the image, Botticelli depicted them very similar, but there were subtle differences. From left to right, the first one's beauty dynamic range was the biggest loosely covered with hair and chest wearing a chic brooch. The clothes were particularly gorgeous and inside and outside the ups and downs. The whole attitude showed her intense inner impulse and these characteristics indicated that she was "Eros" avatar. And the opposite was that the middle one was without any decoration and the clothing was also very naïve with solemn expression. There was no doubt she was the embodiment of the "purity". In the contact of simple and relaxed "purity" and gorgeous and warm "Eros", "beauty" was born. Among the three Graces, "purity" and "Eros" confrontation, the pure left shoulder clothes were off the half, suggesting the seduction of love. The painter showed the awakening of love and beauty here and naturally led to the protagonists of beauty and love -- the incarnation of the goddess Venus. She was located in the middle of two groups of people, but also a little higher. The flying arrow of Cupid was just to "pure" god. The work of Primavera was also a victory song singing Venus love at the same time.
